I am quite sure that I am the first to bring you this post. No more self-promotion. Yash Raj Films' Madhuri Dixit-starrer AAJA NACHLE's soundtrack has just been released. It's here for the first time. Too tired to elaborate about this films.
Earlier posts here:
http://bollywood-unlimited.blogspot.com/2007/08/wallpapers-of-aaja-nachle-laaga-chunari.html
http://bollywood-unlimited.blogspot.com/2007/08/aaja-nachle-teaser-exclusive-madhuri-is.html
http://bollywood-unlimited.blogspot.com/2007/10/aaja-nachle-music-preview-first.html
http://bollywood-unlimited.blogspot.com/2007/10/aaja-nachle-theatrical-trailer-madhuri.html
So here it goes. I think it's pretty good. Will grab the CD today.
1. Aaja Nachle
Singer: Sunidhi Chauhan
2. Ishq Hua
Singers: Shreya Ghosal, Sonu Nigam
3. Show Me Your Jalwa
Singers: Richa Sharma, Kailash Kher & Salim Merchant
4. Ore Pia
Singer: Rahat Fateh Ali Khan
5. Soniye Mil Ja
Singers: Sukhvinder Singh, Sunidhi Chauhan & Madhuri Dixit
6. Is Pal
Singers: Sonu Nigam, Shreya Ghoshal
7. Koi Patthar Se Na Maare
Singers: Sunidhi Chauhan, Shreya Ghoshal, Sonu Nigam
8. Dance With Me
Singer: Sonia Saigal
9. Nachle (Reprise)
Singers: Sunidhi Chauhan & Marianne
Note: The Audio files included here are for demonstration purposes only and are mere clippings of the entire songs. They are not meant to infringe any copyright or patent whatsoever. You are strongly encouraged to buy the music unit if you want to listen to the songs.
Showing posts with label Konkona. Show all posts
Showing posts with label Konkona. Show all posts
Thursday, October 18, 2007
Monday, October 15, 2007
AAJA NACHLE Theatrical Trailer (Madhuri Dixit!!)
It's pretty much a record by now. First I gave you the wallpaper, then the first theatrical teaser, then the music listings. It's the turn for the first theatrical trailer now. Of course, we are talking about Madhuri Dixit's less-hyped comeback film AAJA NACHLE.
This is a Yash Raj movie. If this is irking you a bit, this movie has been written by Shahrukh Khan's Chak De! India writer Jaideep Sahni. The lyrics are by Sahni and Piyush Mishra. Music by Salim-Sulaiman. Director is Anil Mehta. Okay, no more crew listing. Straight to the promo.
The promo kicks off with a nostalgic narration by Madhuri. It shows us an almost-destroyed open-air theater. Gradually we are informed that this is Ajanta theater located at Madhuri's hometown. It's the place, we know, that nurtured Madhuri. It taught her dance, it taught her songs. 'Twas the place when there were all friends of Madhuri. Meanwhile we see some supposedly old-day shots with a beautiful Madhuri dancing and laughing. It's the place that gave her the life to live. Cut to present, the people there are doing nothing but ruining the heritage of Ajanta. But, now, supposedly U.S.-returned Madhuri won't let that happen. Clap!
Then enters the central theme of the film. We see Mads dancing practically everywhere in her town with almost everyone. She is trying to infuse laughter and entertainment into the dark, gloomy, morbid lives of people there. She is trying to make them happy. But the conservatives don't want a change. A puritan Kunal Kapoor threatens Madhuri that he won't let it happen a la song-n-dance culture of America to be brought in the small town. There is a hesitant like Konkona Sensharma since she has never ever danced in her life. There are aspirants like Vinay Pathak and Ranvir Shorey who will do anything to be a part of the cultural program.
Meanwhile, some impressive shots of Madhuri dancing in the town with kids and adults plays out with the breezy track Show Me Your Jalwa in the background.
In the final minute of this 150-second trailer we see Madhuri challenging a head-honcho of the town that she will make everyone in the town dance. Claps again! Then we hear the title song in background with some shots of rehearsals, wars, burning cars, fighting people, sad faces and of course, some people destroying theatre sets-- everything captured beautifully by DoP Mohanan (Don '06) .
Whoa! A load of promise there. Firstly, a MADHURI film. Then, thankfully and courageously, no lead opposite male actor. Plus, perhaps, a compelling story. It makes a lot of self-reference. Perhaps for the first time in a mainstream Bollywood film we see a background of theatre, play and opera. Not many films are out there which are about song and dance with the help of it. A promising cast out there. The small towns are largely ignored in Bollywood. It's probably the first film we see where the topic of moral 'regulation' of arts and culture has been touched.
And there's one smile to mesmerise the entire nation. SHE is back.
I wager this film will rock for me if for none else. 11/30/2007, where art thou?
Do post comments after watching this. And rate!
This is a Yash Raj movie. If this is irking you a bit, this movie has been written by Shahrukh Khan's Chak De! India writer Jaideep Sahni. The lyrics are by Sahni and Piyush Mishra. Music by Salim-Sulaiman. Director is Anil Mehta. Okay, no more crew listing. Straight to the promo.
The promo kicks off with a nostalgic narration by Madhuri. It shows us an almost-destroyed open-air theater. Gradually we are informed that this is Ajanta theater located at Madhuri's hometown. It's the place, we know, that nurtured Madhuri. It taught her dance, it taught her songs. 'Twas the place when there were all friends of Madhuri. Meanwhile we see some supposedly old-day shots with a beautiful Madhuri dancing and laughing. It's the place that gave her the life to live. Cut to present, the people there are doing nothing but ruining the heritage of Ajanta. But, now, supposedly U.S.-returned Madhuri won't let that happen. Clap!
Then enters the central theme of the film. We see Mads dancing practically everywhere in her town with almost everyone. She is trying to infuse laughter and entertainment into the dark, gloomy, morbid lives of people there. She is trying to make them happy. But the conservatives don't want a change. A puritan Kunal Kapoor threatens Madhuri that he won't let it happen a la song-n-dance culture of America to be brought in the small town. There is a hesitant like Konkona Sensharma since she has never ever danced in her life. There are aspirants like Vinay Pathak and Ranvir Shorey who will do anything to be a part of the cultural program.
Meanwhile, some impressive shots of Madhuri dancing in the town with kids and adults plays out with the breezy track Show Me Your Jalwa in the background.
In the final minute of this 150-second trailer we see Madhuri challenging a head-honcho of the town that she will make everyone in the town dance. Claps again! Then we hear the title song in background with some shots of rehearsals, wars, burning cars, fighting people, sad faces and of course, some people destroying theatre sets-- everything captured beautifully by DoP Mohanan (Don '06) .
Whoa! A load of promise there. Firstly, a MADHURI film. Then, thankfully and courageously, no lead opposite male actor. Plus, perhaps, a compelling story. It makes a lot of self-reference. Perhaps for the first time in a mainstream Bollywood film we see a background of theatre, play and opera. Not many films are out there which are about song and dance with the help of it. A promising cast out there. The small towns are largely ignored in Bollywood. It's probably the first film we see where the topic of moral 'regulation' of arts and culture has been touched.
And there's one smile to mesmerise the entire nation. SHE is back.
I wager this film will rock for me if for none else. 11/30/2007, where art thou?
Do post comments after watching this. And rate!
Friday, October 5, 2007
AAJA NACHLE: Music Preview (First!!)
Please don't be surprised that I have done it so fast! Even I'm not. It's become a habit now. Okay, maybe I am over the skies now. Let's come back. The exclusive track listing of Madhuri Dixit's till-now-less-hyped comeback vehicle, AAJA NACHLE is here! This is produced by Yash Raj Films. I gave you the teaser sometime back. Needless to say, this Yashraj film is produced by Yash & Aditya Chopra. The combos of Chak De India are here: Jaideep Sahni (writer and lyricist) and Salim-Sulaiman (music). So, we may hope that it will rock. Let's see the list now. It does promise a musical treat.
1. Aaja Nachle
Singer: Sunidhi Chauhan
2. Ishq Hua Hi Hua
Singers: Shreya Ghosal, Sonu Nigam
3. Show Me Your Jalwa
Singers: Richa Sharma, Kailash Kher & Salim Merchant
4. Ore Pia
Singer: Rahat Fateh Ali Khan
5. Soniye Mil Ja
Singers: Sukhvinder Singh, Sunidhi Chauhan & Madhuri Dixit (definitely it will be a speech!)
6. Is Pal
Singers: Sonu Nigam, Shreya Ghoshal
7. Koi Patthar Se Na Maare
Singers: Sunidhi Chauhan, Shreya Ghoshal, Sonu Nigam
8. Dance With Me
Singer: Sonia Saigal
9. Nachle (Reprise)
Singers: Sunidhi Chauhan & Marianne
So, go for it!
1. Aaja Nachle
Singer: Sunidhi Chauhan
2. Ishq Hua Hi Hua
Singers: Shreya Ghosal, Sonu Nigam
3. Show Me Your Jalwa
Singers: Richa Sharma, Kailash Kher & Salim Merchant
4. Ore Pia
Singer: Rahat Fateh Ali Khan
5. Soniye Mil Ja
Singers: Sukhvinder Singh, Sunidhi Chauhan & Madhuri Dixit (definitely it will be a speech!)
6. Is Pal
Singers: Sonu Nigam, Shreya Ghoshal
7. Koi Patthar Se Na Maare
Singers: Sunidhi Chauhan, Shreya Ghoshal, Sonu Nigam
8. Dance With Me
Singer: Sonia Saigal
9. Nachle (Reprise)
Singers: Sunidhi Chauhan & Marianne
So, go for it!
Saturday, August 11, 2007
AAJA NACHLE Teaser (Exclusive!!) MADHURI is back and how!
Oof! That was it! First, I got you the teaser poster . Now, it's the turn of teaser. Yes! I have finally come up with the first ever teaser of one of the most awaited films this year: our beloved MADHURI DIXIT's comeback vehicle: AAJA NACHLE.
AAJA NACHLE is a Yash Raj Film produced by Aditya Chopra and Yash Chopra. It's the second Yashraj film for Madhuri 10 years after Yash Chopra directed her in the blockbuster musical DIL TO PAGAL HAI with Shah Rukh Khan. This film is directed by reputed cinematographer Anil Mehta, whose body of work include KAL HO NAA HO, VEER-ZAARA, KABHI ALVIDA NAA KEHNA. This film is written by Jaideep Sahni, who rocked it up in the last YRF release yesterday, Shahrukh Khan starrer CHAK DE INDIA. He too has an excellent track record in terms of scriptwriting.
Interestingly, Anil has not handled the camera for this film. Instead, the job is given to DON cinematographer Mohanan. The music is composed by Chak De India duo Salim-Sulaiman and lyrics by Jaideep Sahni and Jhoom Barabar Jhoom star Piyush Mishra. In place of Madhuri's all-time guru Saroj Khan, Vaibhavi Merchant handles the mettle of the choreographer. This film also stars Kunal Kapoor, Konkona Sen Sharma and Akshaye Khanna in a guest appearance. I wish SRK too could be roped in!
This film is about a theatre-actress who is trying to bring smile and joy in her small town. Different! It seems to be an all-heroine movie without any opposite male star. And the film works entirely on the stage musical format. Hope, this doesn't mess like JAAN-E-MANN or JHOOM BARABAR JHOOM.
Okay, let's come to the teaser know. Practically it doesn't say or show much in 42 seconds. It's basically the "Madhuri is back!" logline. Still, it needs a paragraph or two to be talked about. First, a kind of semi-classical/folk tune of flute is heard with the mixture of ghungru. Then the scene fades from black to THE dancer in silhouette dancing in front of a studio moon. The step is classical and you know who it is. The next few seconds shows the dancer showing up her dancing skills in rhythm with the music. Then the screen flashes, "Madhuri Dixit is back" and the title card is shown. Then the evergreen face with a bright chuckle enters the frame; a beauty worth dying for. And claps and whistles!! I wonder what is the reaction in a mediocre single-screen theater! Can't imagine!
Now, I have a very special interpretation of the teaser and the wallpaper. There's Madhuri in front of the studio moon and stars scattered all over the sky, right? Some of the stars are very bright. Now, this seems to be a self-referential style. Why? The stars are there. They're bright. Okay! They resemble some stars of this Bollywood like Aishwarya, Abhishek, Preity, Lara et al.They stay in the sky round the year (astronomically not right, but stars can be seen everyday in the sky). The moon (Mads) is not in the sky everyday, but when it comes in the sky, it outshines every star! Ain't that amazing? Now watch the trailer and rate.
Now rate!
Please post comments too!
AAJA NACHLE is a Yash Raj Film produced by Aditya Chopra and Yash Chopra. It's the second Yashraj film for Madhuri 10 years after Yash Chopra directed her in the blockbuster musical DIL TO PAGAL HAI with Shah Rukh Khan. This film is directed by reputed cinematographer Anil Mehta, whose body of work include KAL HO NAA HO, VEER-ZAARA, KABHI ALVIDA NAA KEHNA. This film is written by Jaideep Sahni, who rocked it up in the last YRF release yesterday, Shahrukh Khan starrer CHAK DE INDIA. He too has an excellent track record in terms of scriptwriting.
Interestingly, Anil has not handled the camera for this film. Instead, the job is given to DON cinematographer Mohanan. The music is composed by Chak De India duo Salim-Sulaiman and lyrics by Jaideep Sahni and Jhoom Barabar Jhoom star Piyush Mishra. In place of Madhuri's all-time guru Saroj Khan, Vaibhavi Merchant handles the mettle of the choreographer. This film also stars Kunal Kapoor, Konkona Sen Sharma and Akshaye Khanna in a guest appearance. I wish SRK too could be roped in!
This film is about a theatre-actress who is trying to bring smile and joy in her small town. Different! It seems to be an all-heroine movie without any opposite male star. And the film works entirely on the stage musical format. Hope, this doesn't mess like JAAN-E-MANN or JHOOM BARABAR JHOOM.
Okay, let's come to the teaser know. Practically it doesn't say or show much in 42 seconds. It's basically the "Madhuri is back!" logline. Still, it needs a paragraph or two to be talked about. First, a kind of semi-classical/folk tune of flute is heard with the mixture of ghungru. Then the scene fades from black to THE dancer in silhouette dancing in front of a studio moon. The step is classical and you know who it is. The next few seconds shows the dancer showing up her dancing skills in rhythm with the music. Then the screen flashes, "Madhuri Dixit is back" and the title card is shown. Then the evergreen face with a bright chuckle enters the frame; a beauty worth dying for. And claps and whistles!! I wonder what is the reaction in a mediocre single-screen theater! Can't imagine!
Now, I have a very special interpretation of the teaser and the wallpaper. There's Madhuri in front of the studio moon and stars scattered all over the sky, right? Some of the stars are very bright. Now, this seems to be a self-referential style. Why? The stars are there. They're bright. Okay! They resemble some stars of this Bollywood like Aishwarya, Abhishek, Preity, Lara et al.They stay in the sky round the year (astronomically not right, but stars can be seen everyday in the sky). The moon (Mads) is not in the sky everyday, but when it comes in the sky, it outshines every star! Ain't that amazing? Now watch the trailer and rate.
Now rate!
Please post comments too!
Tuesday, April 24, 2007
Why I will avoid IIFA Awards 2007 at any cost - Part 3 . . . . . . . . . . . . . . .
I am discussing the supporting roles here.
(THE FOLLOWING OPINIONS ARE SOLELY PERSONAL OPINION AND THEY ARE NOT INTENDED TO HURT/OFFEND ANYONE)
****SPOILERS MAY BE AHEAD****
Best Performance in a Comic Role
Chunkey Pandey – Apna Sapna Money Money
Uday Chopra – Dhoom 2
Tusshar Kapoor – Golmaal – Fun Unlimited
Paresh Rawal – Phir Hera Pheri
Sharman Joshi – Rang De Basanti
All nominations are highly biased. I haven't seen ASMM, but I am sure (from reviews) that Ritesh was a better choice. The son of the producer jarred in D:2 (yet again). Another son of a star, was execrable in Golmaal. Paresh Rawal's become so repetitive that his antics don't tickle our bones. Sharman Joshi was not very good, but definitely better than others. Gosh!
deserved nominations:
ARSHAD WARSI - LRMB, Kabul Express, Golmaal Ranvir Shorey - Khosla Ka Ghosla
Best Performance in a Negative Role
Hrithik Roshan – Dhoom 2
Emraan Hashmi – Gangster
Boman Irani - Lage Raho Munnabhai
Saif Ali Khan – Omkara
John Abraham – Zinda
D:2 - If being a sky-diver, bungee-jumper, skater, biker is enough to get a nomination, I can suggest thousands of names for this category. Some may throw brickbats at me, but seriously think. Is HR a true actor? Just a couple of makeovers and action are enough to put put him on the list? Aren't we succumbing to the (pseudo)-super-stardom? He is expressionless. No depth has been observed in the character. You may be mesmerized by his looks (that's what it is) not by his acting skills. This may cause the true cinema to be buried.
Gangster - To be frank, I don't like EH. Rather I possess a strong dislike for him. But when I saw the film I was literally floored by his performance. Unlike his other films, he was nuanced, natural and restrained. I just loved him it!
LRMB - Pretty good villain with perfect comic timing. He deserved a nomination for DON rather than this one.
Omkara - The "most best" villain ever to emerge on the screen of Indian cinema. Sorry for wrong grammar, but I couldn't resist using that particular word. Moving far away from his urban, metrosexual image, Saif played the role with great.......(I don't know how to describe it). He was formidable. He far eclipsed the "most popular" villain Gabbar Singh with a vengeance.
Zinda - Another good one from John.
Best Performance in a Supporting Role (Female)
Bipasha Basu – Dhoom 2
Rekha – Krrish
Konkona Sensharma – Omkara
Kirron Kher – Rang De Basanti
Soha Ali Khan Pataudi – Rang De Basanti
D:2 - Once again! Can you explain me why was Bipasha's character added? If you completely remove her, would that make any difference? Why is there a Sonali? Why is she added? Why is there a pseudo-affair between Jai and Sonali? Why doesn't Sonali come to Brazil? Why is Monali added? Just for the sake of bikini and a dancing companion to producer's son? Bips enacted the role so awfully that I couldn't believe that this is the same girl from Corporate.
Krrish - This is Rekha at her worst. She has no sync. Her makeup, performance and acting are so artificial that you can't help but laugh out aloud.
Omkara - Konkona was very good, flawless but somewhat predictable. So Soha wins it by an inch.
RDB - KK - I didn't really like her in RDB. I thought, she could perform it much better.
Soha- She's the winner for me. She surprised all of us with a perfect performance. She suited the role to a 'T".
Who deserved:
SONALI KULKARNI -Taxi No. - 9211 MASUMEH - Woh Lamhe DIYA MIRZA - L.R. Munnabhai TARA SHARMA - Khosla Ka Ghosla BIPASHA - Omkara (to replace D:2)
Best Performance in a Supporting Role (Male)
Amitabh Bachchan - Kabhi Alvida Naa Kahna
Abhishek Bachchan - Kabhi Alvida Naa Kahna
Arshad Warsi – Lage Raho Munnabhai
Kunal Kapoor - Rang De Basanti
Atul Kulkarni - Rang De Basanti
KANK - Amitabh Bachchan - He was definitely very good in intense moments such as the table sequence. But in the comedy portions he put on a very bad effort. So he's not worth it. Since he is the brand ambassador who could have dared not to include him?
Abhishek " - His role was so amateurly wriiten, that we couldn't relate to hs character. Altough I am not saying that he was not good, I tend to think that he didn't rise above the character that was written. So his performace didn't made us empathise with him.
LRMB - Now that's a bit confusing. Is Arshad's role eligible for suppoting role? Or for the comic one? However he wins it from the word 'go'. He was impeccable in the role of Circuit. No words to describe this performance. Without a doubt, the best comic performance ever! But I suspect if he will win it. Who will give this award to AW when the son of the brand ambassador and ba himself are included?
RDB - Both the nominees rocked. No doubt.
Who deserved:
DEEPAK DOBRIYAL - Omkara [This is bias at its best. No performance in the above list (except AW obviously) came even a mile close to his first performance. He isn't nominated because he doesn't have big names to back him. This kind of a superb performance from a newcomer is completely unexpected. I strongly agree with director Anurag Kashyap who says, "Deepak Dobriyal in omkara was frigging five hundred times better than an Abhishek Bachchan in all his performances put together and wasn’t even nominated."] NANA PATEKAR - Taxi No. 9211 SIDDHARTH - RDB ARSHAD - Kabul Express SALMAN SHAHID - Kabul Express
Also see: Part 1 - Writing Part 2 - Music Part 4 - Main Categories
(NOTE: IF YOU DON'T AGREE WITH THE AUTHOR PLEASE TELL WHAT IT SHOULD HAVE BEEN. PLEASE REFRAIN FROM ATTACKING THE AUTHOR AND DO NOT USE ANY EXPLETIVE)
I am discussing the supporting roles here.
(THE FOLLOWING OPINIONS ARE SOLELY PERSONAL OPINION AND THEY ARE NOT INTENDED TO HURT/OFFEND ANYONE)
****SPOILERS MAY BE AHEAD****
Best Performance in a Comic Role
Chunkey Pandey – Apna Sapna Money Money
Uday Chopra – Dhoom 2
Tusshar Kapoor – Golmaal – Fun Unlimited
Paresh Rawal – Phir Hera Pheri
Sharman Joshi – Rang De Basanti
All nominations are highly biased. I haven't seen ASMM, but I am sure (from reviews) that Ritesh was a better choice. The son of the producer jarred in D:2 (yet again). Another son of a star, was execrable in Golmaal. Paresh Rawal's become so repetitive that his antics don't tickle our bones. Sharman Joshi was not very good, but definitely better than others. Gosh!
deserved nominations:
ARSHAD WARSI - LRMB, Kabul Express, Golmaal Ranvir Shorey - Khosla Ka Ghosla
Best Performance in a Negative Role
Hrithik Roshan – Dhoom 2
Emraan Hashmi – Gangster
Boman Irani - Lage Raho Munnabhai
Saif Ali Khan – Omkara
John Abraham – Zinda
D:2 - If being a sky-diver, bungee-jumper, skater, biker is enough to get a nomination, I can suggest thousands of names for this category. Some may throw brickbats at me, but seriously think. Is HR a true actor? Just a couple of makeovers and action are enough to put put him on the list? Aren't we succumbing to the (pseudo)-super-stardom? He is expressionless. No depth has been observed in the character. You may be mesmerized by his looks (that's what it is) not by his acting skills. This may cause the true cinema to be buried.
Gangster - To be frank, I don't like EH. Rather I possess a strong dislike for him. But when I saw the film I was literally floored by his performance. Unlike his other films, he was nuanced, natural and restrained. I just loved him it!
LRMB - Pretty good villain with perfect comic timing. He deserved a nomination for DON rather than this one.
Omkara - The "most best" villain ever to emerge on the screen of Indian cinema. Sorry for wrong grammar, but I couldn't resist using that particular word. Moving far away from his urban, metrosexual image, Saif played the role with great.......(I don't know how to describe it). He was formidable. He far eclipsed the "most popular" villain Gabbar Singh with a vengeance.Zinda - Another good one from John.
Best Performance in a Supporting Role (Female)
Bipasha Basu – Dhoom 2
Rekha – Krrish
Konkona Sensharma – Omkara
Kirron Kher – Rang De Basanti
Soha Ali Khan Pataudi – Rang De Basanti
D:2 - Once again! Can you explain me why was Bipasha's character added? If you completely remove her, would that make any difference? Why is there a Sonali? Why is she added? Why is there a pseudo-affair between Jai and Sonali? Why doesn't Sonali come to Brazil? Why is Monali added? Just for the sake of bikini and a dancing companion to producer's son? Bips enacted the role so awfully that I couldn't believe that this is the same girl from Corporate.
Krrish - This is Rekha at her worst. She has no sync. Her makeup, performance and acting are so artificial that you can't help but laugh out aloud.
Omkara - Konkona was very good, flawless but somewhat predictable. So Soha wins it by an inch.
RDB - KK - I didn't really like her in RDB. I thought, she could perform it much better.
Soha- She's the winner for me. She surprised all of us with a perfect performance. She suited the role to a 'T".
Who deserved:
SONALI KULKARNI -Taxi No. - 9211 MASUMEH - Woh Lamhe DIYA MIRZA - L.R. Munnabhai TARA SHARMA - Khosla Ka Ghosla BIPASHA - Omkara (to replace D:2)
Best Performance in a Supporting Role (Male)
Amitabh Bachchan - Kabhi Alvida Naa Kahna
Abhishek Bachchan - Kabhi Alvida Naa Kahna
Arshad Warsi – Lage Raho Munnabhai
Kunal Kapoor - Rang De Basanti
Atul Kulkarni - Rang De Basanti
KANK - Amitabh Bachchan - He was definitely very good in intense moments such as the table sequence. But in the comedy portions he put on a very bad effort. So he's not worth it. Since he is the brand ambassador who could have dared not to include him?
Abhishek " - His role was so amateurly wriiten, that we couldn't relate to hs character. Altough I am not saying that he was not good, I tend to think that he didn't rise above the character that was written. So his performace didn't made us empathise with him.
LRMB - Now that's a bit confusing. Is Arshad's role eligible for suppoting role? Or for the comic one? However he wins it from the word 'go'. He was impeccable in the role of Circuit. No words to describe this performance. Without a doubt, the best comic performance ever! But I suspect if he will win it. Who will give this award to AW when the son of the brand ambassador and ba himself are included?
RDB - Both the nominees rocked. No doubt.
Who deserved:
DEEPAK DOBRIYAL - Omkara [This is bias at its best. No performance in the above list (except AW obviously) came even a mile close to his first performance. He isn't nominated because he doesn't have big names to back him. This kind of a superb performance from a newcomer is completely unexpected. I strongly agree with director Anurag Kashyap who says, "Deepak Dobriyal in omkara was frigging five hundred times better than an Abhishek Bachchan in all his performances put together and wasn’t even nominated."] NANA PATEKAR - Taxi No. 9211 SIDDHARTH - RDB ARSHAD - Kabul Express SALMAN SHAHID - Kabul Express
Also see: Part 1 - Writing Part 2 - Music Part 4 - Main Categories
(NOTE: IF YOU DON'T AGREE WITH THE AUTHOR PLEASE TELL WHAT IT SHOULD HAVE BEEN. PLEASE REFRAIN FROM ATTACKING THE AUTHOR AND DO NOT USE ANY EXPLETIVE)
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